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Noises Off

Comedy
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Running time: Doors open 1 hour before each performance. Show times: 2 hours and 25 minutes including an interval. There is a second interval halfway through act 2 for 5 minutes

Important Information

Under 14s must be accompanied by an adult aged 18+

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One of the greatest British comedies ever written comes to Nottingham, direct from a triumphant West End season. Presented by Theatre Royal Bath Productions.

Michael Frayn’s celebrated play serves up a riotous double bill, a play within a play. Hurtling along at breakneck speed, Noises Off follows the on and offstage antics of a touring theatre company as they stumble their way through the fictional farce, Nothing On.

A stellar cast will be led by Liza Goddard and Paul Bradley. Liza’s extensive stage comedy credits include Life of Riley, Communicating Doors, Season’s Greetings and Relatively Speaking. Paul is best known for playing Nigel Bates in EastEnders and Elliot Hope in Holby City.

Members
Save £7.50 on all £42 & £39.50 tickets on Tuesday 7.30pm and save £4 on all £42, £39.50 & £37 tickets in the Stalls and Upper Circle for Wednesday to Thursday 2pm & 7.30pm performances only.

Under 26s
Save £4 on all tickets in the Stalls and Upper Circle for Tuesday to Thursday 7.30pm & Wednesday & Thursday 2pm performances. To purchase these tickets you must be under 26 at the time of purchase. You may be asked to show your ID on doors to confirm your age.

Groups 10+
Groups of 10 or more save £3.50 on all tickets in the Stalls & Upper Circle for Tuesday to Thursday 7.30pm & Wednesday & Thursday 2pm performances only with one free ticket for every 20 tickets purchased. Please email our Group Sales team or call 0115 989 5555 to book.

No concessions in the Balcony or for Friday 7.30pm & Saturday 2.30pm & 7.30pm performances

‘Glorious… one of the funniest plays in the canon’

The Times

‘Blissfully and brilliantly funny… guaranteed to leave an audience breathless with laughter’

Evening Standard

‘Pure comic bliss. Dazzingly brilliant… has lost none of its power to reduce well-behaved adults to hysterical wrecks’

Daily Mail

‘One of the most joyous farces ever written… reduced me to laughter so helpless I could barely see the stage for crying’

WhatsOnStage

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